The Doctor: I understand, all right. The hopeless dream of being - not seeming, but being. At every waking moment, alert. The gulf between what you are with others and what you are alone. The vertigo and the constant hunger to be exposed, to be seen through, perhaps even wiped out. Every inflection and every gesture a lie, every smile a grimace. Suicide? No, too vulgar. But you can refuse to move, refuse to talk, so that you don’t have to lie. You can shut yourself in. Then you needn’t play any parts or make wrong gestures. Or so you thought. But reality is diabolical. Your hiding place isn’t watertight. Life trickles in from the outside, and you’re forced to react.
— Ingmar Bergman’s Persona
Raymond Dufayel [The glass Man]: You mean she would rather imagine herself relating to an absent person than build relationships with those around her?
Raymond Dufayel [The glass Man]: So, my little Amélie, you don’t have bones of glass. You can take life’s knocks. If you let this chance pass, eventually, your heart will become as dry and brittle as my skeleton.
— Jean Pierre Jeunet’s Le Fabuleux destin d’Amélie Poulain
[Gemma Ward by Craig McDean]
[Gemma Ward by Craig McDean]
Stéphane Miroux: In dreams, emotions are overwhelming.
Stéphanie: Things’ll turn out the way you want, if you could just stop doubting that I love you.
Stéphane Miroux: I don’t want to be Spaghetti…
— Michel Gondry’s The Science of Sleep
Do you have doubts about life? Are you unsure if it is worth the trouble? Look at sky: that is for you. Look at each person’s face as you pass on the street: those faces are for you. And the street itself, and the ground under the street, and the ball of fire underneath the ground: all these things are for you. They are as much for you as they are for other people. Remember this when you wake up in the morning and think you have nothing. Stand up and face east. Now praise the sky and praise the light within each person under the sky. It’s okay to be unsure. But praise, praise, praise.
— From “The Shared Patio” by Miranda July [featured in the book No One Belongs Here More Than You]
And then, leaning forward, showing the blue veins beneath his weakling’s skin, he added:
“Basically, what we have here is a dreamer. Somebody out of touch with reality. When she jumped, she probably thought she’d fly.
— Jeffrey Eugenides- The Virgin Suicides
It is, I suppose, the common grief of children at having to protect their parents from reality. It is bitter for the young to see what awful innocence adults grow into, that terrible vulnerability that must be sheltered from the rodent mire of childhood.
Can we blame the child for resenting the fantasy of largeness? Big, soft arms and deep voices in the dark saying, “Tell Papa, tell Mama, and we’ll make it right.” The child, screaming for refuge, senses how feeble a shelter the twig hut of grown-up awareness is. They claim strength, these parents, and complete sanctuary. The weeping earth itself knows how desperate is the child’s need for exactly that sanctuary. How deep and sticky is the darkness of childhood, how rigid the blades of infant evil, which is unadulterated, unrestrained by the convenient cushions of age and its civiling anesthesia.
Grownups can deal with scraped knees, dropped ice-cream cones, and lost dollies, but if they suspected the real reasons we cry they would fling us out of their arms in horrified revulsion. Yet we are small and as terrified as we are terrifying in our ferocious appetites.
We need that warm adult stupidity. Even knowing the illusion, we cry and hide in their laps, speaking only of defiled lollipops of lost bears, and getting a lollipop or a toy bear’s worth of comfort. We make do with it rather than face alone the cavernous reaches of our skulls for which there is no remedy, no safety, no comfort at all. We survive until, by sheer stamina, we escape into the dim innocence of our own adulthood and its forgetfulness.
— Katherine Dunn- Geek Love
And he knew, also, what the old man was thinking as his tears flowed, and he, Rieux, thought it too: that a loveless world is a dead world, and always there comes an hour when one is weary of prisons, of one’s work, and of devotion to duty, and all one craves for is a loved face, the warmth and wonder of a loving heart.
— Albert Camus- The Plague
And when I was young I didn’t understand, but now, I know, how absence can be present, like a damaged nerve, like a dark bird.
— Audrey Niffenegger- The Time Traveler’s Wife
Or maybe truth as you understand it is 180 degrees away—that God is everywhere and we are all where we’re supposed to be and more will be revealed one day. Maybe you feel that Wordsworth was right, maybe Rumi, maybe Stephen Mitchell writing on Job: “The physical body is acknowledged as dust, the personal drama as delusion. It is as if the world we perceive through our senses, that whole gorgeous and terrible pageant, were the breath-thin surface of a bubble, and everything else, inside and outside, is pure radiance. Both suffering and joy come then like a brief reflection, and death like a pin.”
But you can’t get to any of these truths by sitting in a field smiling beatifically, avoiding your anger and damage and grief. Your anger and damage and grief are the way to the truth. We don’t have much truth to express unless we have gone into those rooms and closets and woods and abysses that we were told not to go in to. When we have gone in and looked around for a long while, just breathing and finally taking it in—then we will be able to speak in our own voice and to stay in the present moment. And that moment is home.
— Anne Lamott- Bird by Bird